Taipei Fine Arts Museum

Feature:2011 Taipei Arts Awards
Observations
Adhering Meanings in a Mechanical Age - Liu Han-Chih’s The Collar Seizing Device and the Issue of Shifting Borders / Wang Po-Wei 06
A Splendid Misuse, Magnificence and Senselessness: Chu Chun-Teng’s The Foaming Weariness / Chang Ching-Wen 12
Image Loop of the Nameless: Dehumanization in Hsu Che-Yu’s The Perfect Suspect / Wang Sheng-Hung 18
Grand Narratives and Little Events: Huang Hai-Hsin’s Paintings / Peter Liu 24
The Wonderful Sugar-Coated World Chen l-Chun 30
Light Sculpture among Ruins - Ding Chin-Chung’s Vacant Room / Chen Kuan-Yu 36
Q&A : Art Critics on Taipei Arts Awards
Editor(Interviews with Wang Po-Wei, Wang Sheng-Hung, Peter Liu, Chang Ching-Wen , Chen l-Chun, and Chen Kuan-Yu) 42
Q&A : Juries on Taipei Arts Awards
Editor(Interviews with Chu The-l, Tsong Pu, Liu Yung Hao, Chia Chi Jason Wang, Wang Jun-Jieh, Chang Feng-Wei, Chen Shu-Ling and Lin Chi-Ming) 54

Exhibition Topic
The Public Spirit. Beauty in the Making－Shui-Long Yen
Folklore, Mingei and Yen Shui-Long's Crafts Movement: Perspectives on Handicraft in Taiwan during the Late Japanese Colonial Period / Chen I-Fan 70
The Many Faces of Everyday Life: Yen Shui-Long's Illustrations for Smoac Tooth Powder / Wang Kai-Wei 82

Comments and Reviews
Taiwan as an Aesthetic Method - Ai Weiwei absent in Taiwan / Chen Tai-Song 92
Stubborn Cultural DNA and the Absence of Public Charges: The Missing Context in TFAM’s Ai Weiwei absent / Huang Hai-Ming 98

TFAM Online／Hu Hui-Ju 106
Editor’s Notes 108