﻿<?xml version="1.0" encoding="utf-16"?><Datas><Data><Column_0 name="DataSN">7351271</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=0AB551A26767F099</Column_4><Column_5 name="title">Dance with the Museum collection</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Exhibition Catalogs&lt;br/&gt;Published Date: 2017/10&lt;br/&gt; ISSN: 978-986-05-3096-4&lt;br/&gt;Price: NT$800&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;004 - Foreword&lt;/p&gt;&lt;p&gt;008 - Essay&lt;/p&gt;&lt;p&gt;Image Imaginings&lt;/p&gt;&lt;p&gt;Inter-reflections&lt;/p&gt;&lt;p&gt;Amnesia and Malevich’s Pharmacy&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"7103016232853","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/7351271/7103016232853.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">7351270</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=2879272F1E7E59A3</Column_4><Column_5 name="title">Resolve and Dispute: Martial Law and Contemporary Art in Taiwan</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Exhibition Catalogs&lt;br/&gt;Published Date: 2017/10&lt;br/&gt; ISSN: 978-986-05-3155-8&lt;br/&gt;Price: NT$500&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;CONTENTS&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Preface&lt;/p&gt;&lt;p&gt;006 - Preface│Lin-Chiun CHENG / Minister of Culture, Republic of China(Taiwan)&lt;/p&gt;&lt;p&gt;009 - Preface│Stephanie WILES / The Richard J. Schwartz Director, Herbert F. Johnson Museum of Art, Cornell University&lt;/p&gt;&lt;p&gt;012 - Preface│Pin LIN / Director, Taipei Fine Arts Museum&lt;/p&gt;&lt;p&gt;Essays&lt;/p&gt;&lt;p&gt;033 - Power, Haunting and Resilience│An-Yi PAN / Curator, Associate Professor, History of Art Department, Cornell University&lt;/p&gt;&lt;p&gt;071 - Resolve and Dispute: Martial Law and Contemporary Art in Taiwan │Yung-Jen LIU / Curator, Taipei Fine Arts Museum&lt;/p&gt;&lt;p&gt;090 - Artists and works&lt;/p&gt;&lt;p&gt;130 - Biographies&lt;/p&gt;&lt;p&gt;157 - Acknowledgements&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"7103016202353","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/7351270/7103016202353.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">7351269</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=1BAA93181E95A246</Column_4><Column_5 name="title">MODERN ART No.186 Quarterly 2017.9</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: MODERN ART&lt;br/&gt;Published Date: 2017/8/15&lt;br/&gt; ISSN:977-101802200-1&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Performance in the Arena of Visual Arts&lt;/p&gt;&lt;p&gt;006 - Waiting for Godot: Expectation and Sequella│Huang Ding-yun&lt;/p&gt;&lt;p&gt;012 - Scaling Basic Elemaents: An Interview with the Choreographer and Composer/Musician of Transparecy│Sun Shang-chi / Hung Yu-wen&lt;/p&gt;&lt;p&gt;021 - Recording Sound and Symbolic Systems: An Interview with Snow Huang│Snow Huang&lt;/p&gt;&lt;p&gt;032 - The Structure of a Performance: An Interviewing with Ma Wei-yuan│Ma Wei-yuan&lt;/p&gt;&lt;p&gt;042 - Transitioning Objects: An Interviewing with the Director and Scenic Designer of Common Tragedies│Baboo Liao / Luo Jr-shin&lt;/p&gt;&lt;p&gt;Artwork and History&lt;/p&gt;&lt;p&gt;053 - Beyond Durational Aesthetics: Space in the Work of Tehching Hsieh│Wang Sheng-hung&lt;/p&gt;&lt;p&gt;061 - Artist Notes, Artwork Concept and an Interview with the Creator of TH Walker│Su Hui-Yu / Wang Po-Wei&lt;/p&gt;&lt;p&gt;076 - Calamitous Circus: Recounting the Creation of Re-rupture│Chen Wan-yin&lt;/p&gt;&lt;p&gt;Tracing the Origin&lt;/p&gt;&lt;p&gt;086 - Visiting the Residence of Gobara Koto: Recollections of His Influence on Taiwan's Nihonga Painting│Lin Yu-chun&lt;/p&gt;&lt;p&gt;096 - The Art Museum in Print: Neonatal Breaths No.2│Tsai Hairu&lt;/p&gt;&lt;p&gt;100 - An Interview with Tsai Hairu│Tsai Hairu / Wang Po-wei&lt;/p&gt;&lt;p&gt;120 - TFAM Online&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"710301694353","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/7351269/710301694353.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340123</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=819178DCB3A046C9</Column_4><Column_5 name="title">Annual</Column_5><Column_6 name="Content">&lt;TABLE border="1" cellspacing="0" summary="List Data" cellpadding="0" %"&gt;&lt;TBODY&gt;&lt;br&gt;&lt;TR&gt;&lt;br&gt;&lt;TD&gt;&lt;IMG alt="Taipei City Statistical Yearbook" src="http://www-ws.gov.taipei/001/Upload/public/MMO/DBAS/Y1.jpg" mmoid="142557"/&gt;&lt;/TD&gt;&lt;br&gt;&lt;TD valign="top"&gt;&lt;P&gt;Taipei City Statistical Yearbook&lt;/P&gt;&lt;br&gt;&lt;UL&gt;&lt;br&gt;&lt;LI&gt;Summary: A total of 272 tables are included in this yearbook, and the data is classified into 20 categories, five tables of data on the National Economy are additionally included as appendices. It's bilingual published with Chinese and English.&lt;/LI&gt;&lt;br&gt;&lt;LI&gt;Publication Date: May of every year&lt;/LI&gt;&lt;br&gt;&lt;LI&gt;Availability: It is available to the public for reference on the website of the Department of Budget, Accounting and Statistics (DBAS).&lt;/LI&gt;&lt;br&gt;&lt;LI&gt;Related Links: &lt;A title="Taipei City Statistical Yearbook" href="http://w2.dbas.taipei.gov.tw/NEWS_WEEKLY/abstract/ex.htm" target="_blank"&gt;Taipei City Statistical Yearbook&lt;/A&gt;&lt;/LI&gt;&lt;br&gt;&lt;/UL&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;br&gt;&lt;TR&gt;&lt;br&gt;&lt;TD&gt;&lt;IMG alt="Taipei City Statistical Abstract" src="http://www-ws.gov.taipei/001/Upload/public/MMO/DBAS/Y2.jpg" mmoid="142570"/&gt;&lt;/TD&gt;&lt;br&gt;&lt;TD valign="top"&gt;&lt;P&gt;Taipei City Statistical Abstract&lt;/P&gt;&lt;br&gt;&lt;UL&gt;&lt;br&gt;&lt;LI&gt;Summary: It summarizes major administrations and reports major accomplishments through parallel contexts, tables, diagrams, and pictures. And it's available in English version from fiscal year 1995, too. &lt;/LI&gt;&lt;LI&gt;Publication Date: July of every year&lt;/LI&gt;&lt;br&gt;&lt;LI&gt;Availability: The Chinese/English versions are available to the public for reference on the DBAS website.&lt;/LI&gt;&lt;br&gt;&lt;LI&gt;Related Links: &lt;A title="Taipei City Statistical Abstract" href="http://w2.dbas.taipei.gov.tw/NEWS_WEEKLY/summeng/indexE.htm" target="_gipNW"&gt;Taipei City Statistical Abstract&lt;/A&gt;&lt;/LI&gt;&lt;br&gt;&lt;/UL&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;br&gt;&lt;TR&gt;&lt;br&gt;&lt;TD&gt;&lt;IMG alt="Report on the Family Income and Expenditure Survey by Record-Keeping in Taipei" src="http://www-ws.gov.taipei/001/Upload/public/MMO/ENGDBAS/income.png" mmoid="127064131"/&gt;&lt;/TD&gt;&lt;br&gt;&lt;TD valign="top"&gt;&lt;P&gt;Report on the Family Income and Expenditure Survey by Record-Keeping in Taipei&lt;/P&gt;&lt;br&gt;&lt;UL&gt;&lt;br&gt;&lt;LI&gt;Summary：It collects daily records of family income and expenditure in Taipei within a year.&lt;/LI&gt;&lt;br&gt;&lt;LI&gt;Publication Date：April of every year&lt;/LI&gt;&lt;br&gt;&lt;LI&gt;Availability: It can be offered to the public for reference and is available on the DBAS website.&lt;/LI&gt;&lt;br&gt;&lt;LI&gt;Related Links: &lt;A title="Report on the Family Income and Expenditure Survey by Record-Keeping in Taipei" href="http://dbaseng.gov.taipei/ct.asp?xItem=126909248&amp;ctNode=11382&amp;mp=120002"&gt;Report on the Family Income and Expenditure Survey by Record-Keeping in Taipei&lt;/A&gt;.&lt;/LI&gt;&lt;br&gt;&lt;/UL&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;br&gt;&lt;TR&gt;&lt;br&gt;&lt;TD&gt;&lt;IMG alt="Report on the Survey of Family Income and Expenditure in Taipei" src="http://www-ws.gov.taipei/001/Upload/public/MMO/DBAS/y4.jpg"/&gt;&lt;/TD&gt;&lt;br&gt;&lt;TD valign="top"&gt;&lt;P&gt;Report on the Survey of Family Income and Expenditure in Taipei&lt;/P&gt;&lt;br&gt;&lt;UL&gt;&lt;br&gt;&lt;LI&gt;Summary：It collects basic data of the actual family income and expenditure in Taipei through interview. &lt;/LI&gt;&lt;br&gt;&lt;LI&gt;Publication Date：October of every year&lt;/LI&gt;&lt;br&gt;&lt;LI&gt;Availability: It can be offered to the public for reference and is available on the DBAS website.&lt;/LI&gt;&lt;br&gt;&lt;LI title="Report on the Survey of Family Income and Expenditure in Taipei"&gt;Related Links: &lt;A title="Report on the Survey of Family Income and Expenditure in Taipei" href="ct.asp?xItem=208384&amp;ctNode=11382&amp;mp=120002"&gt;Report on the Family Income and Expenditure Survey in Taipei &lt;/A&gt;&lt;/LI&gt;&lt;br&gt;&lt;/UL&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;br&gt;&lt;TR&gt;&lt;br&gt;&lt;TD&gt;&lt;IMG alt="Yearbook of DBAS" src="http://www-ws.gov.taipei/001/Upload/public/MMO/ENGDBAS/Yearbook105.jpg" mmoid="1188501"/&gt;&lt;/TD&gt;&lt;br&gt;&lt;TD valign="top"&gt;&lt;P&gt;Yearbook of Department of Budget, Accounting, and Statistics, Taipei City Government&lt;/P&gt;&lt;UL&gt;&lt;br&gt;&lt;LI&gt;Summary：It collects all accomplishments of DBAS in one fiscal year.&lt;/LI&gt;&lt;br&gt;&lt;LI&gt;Publication Date：between February and March every year&lt;/LI&gt;&lt;br&gt;&lt;LI&gt;Availability：&lt;BR/&gt; 1. It can be offered to all BAS personnel for reference.&lt;BR/&gt; 2. It is available on the DBAS website.&lt;BR/&gt;&lt;/LI&gt;&lt;br&gt;&lt;/UL&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;br&gt;&lt;TR&gt;&lt;br&gt;&lt;TD&gt;&lt;IMG alt="The Compilation of BAS Laws" src="http://www-ws.gov.taipei/001/Upload/public/MMO/DBAS/Y6.jpg"&gt;&lt;/TD&gt;&lt;br&gt;&lt;TD valign="top"&gt;&lt;P&gt;The Compilation of BAS Laws&lt;/P&gt;&lt;UL&gt;&lt;br&gt;&lt;LI&gt;Summary：It contains constitution, autonomous laws, common BAS laws and related regulations.&lt;/LI&gt;&lt;br&gt;&lt;LI&gt;Publication Date：between July and August every year&lt;/LI&gt;&lt;br&gt;&lt;LI&gt;Availability：&lt;BR/&gt; 1. It is available to all BAS (Budget, Accounting and Statistics) personnel for reference.&lt;BR/&gt; 2. It's sold for the unit price of NT$350. &lt;BR/&gt; 3. It is available on the DBAS website.&lt;/LI&gt;&lt;br&gt;&lt;/UL&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;br&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;br&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Department of Budget, Accounting and Statistics, Taipei City Government</Column_11></Data><Data><Column_0 name="DataSN">7351267</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=47502A9D87BB50D0</Column_4><Column_5 name="title">BROKEN SPECTRE</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category:Exhibition Catalogs &lt;br/&gt;ublished Date:2017/8/16 &lt;br/&gt; ISSN: 978-986-04-8865-4 br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;011 - Foreword│Lin Ping-Introduction&lt;/p&gt;&lt;p&gt;014 - Letting Images Speak for Themselves-Some Expectations for Liberating Cultral Archives│Yeh Hsing-jou&lt;/p&gt;&lt;p&gt;020 - Broken Spectre│Yu Wei-Artworks/Context&lt;/p&gt;&lt;p&gt;027 - The Walker│Su Hui-yu&lt;/p&gt;&lt;p&gt;030 - Happiness Never Comes Twice-A Retrospective Talk on Taiwan Walker Theatre│Hsu Che-yu&lt;/p&gt;&lt;p&gt;037 - Re-rupture│Hsu Che-yu&lt;/p&gt;&lt;p&gt;040 - Our Conditions Are All the Same-A Record of Visiting│Wu Chung-wei / Chen Wan-yin&lt;/p&gt;&lt;p&gt;045 - If the (Island's) Body is a (Marginalized) Rice Dumpling par Excellence│Yu Cheng-ta&lt;/p&gt;&lt;p&gt;048 - Only The Dominated Can Decide the Quality of Domination-Isle Margin and Eroticism Yu Cheng-ta, Corrine, Chocorockxin│Lee-Essys&lt;/p&gt;&lt;p&gt;056 - Broken Spectre x Folk Art-the Genealogy of Spectre in Aesthetic Doucments Taiwan Gong│Jow-jiun&lt;/p&gt;&lt;p&gt;063 - Nameless Escape -Some Fragmented Thoughts on the Rupturing of Bodily Language in the 1990s│Chang Shih-lun&lt;/p&gt;&lt;p&gt;072 - A Person Who is Always Busy Liberating Others But Has Never Liberated Himself-Experiences and Memories of Theatre, Film, and Body in the 1990s  Chocorockxin Lee-Biography&lt;/p&gt;&lt;p&gt;082 - Artists, Curator,Curatorial team&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"781610242153","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/7351267/781610242153.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">7351268</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=69A0DDC93990523C</Column_4><Column_5 name="title">Gestures and archives of the present,genealogies of the future</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category:Exhibition Catalogs &lt;br/&gt;Published Date: 2017/8/16&lt;br/&gt; ISSN:987-9-86052-732-2 &lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;004 - biennial guidebook&lt;/p&gt;&lt;p&gt;006 - the exhibition&lt;/p&gt;&lt;p&gt;174 - "little cinema"screenings&lt;/p&gt;&lt;p&gt;190 - the exhibiton continued&lt;/p&gt;&lt;p&gt;392 - exhibition continued&lt;/p&gt;&lt;p&gt;404 - performances&lt;/p&gt;&lt;p&gt;466 - symposium,essays,forums&lt;/p&gt;&lt;p&gt;550 - screenings events&lt;/p&gt;&lt;p&gt;580 - postface&lt;/p&gt;&lt;p&gt;581 - index of names&lt;/p&gt;&lt;p&gt;582 - credits&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"781611123053","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/7351268/781611123053.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">7351256</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=2A76591789BF284B</Column_4><Column_5 name="title">Alice's Rabbit Hole</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Exhibition Catalogs&lt;br/&gt;Published Date:2017/8/15 &lt;br/&gt; ISSN: 987-986-04-9174-6&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Contents&lt;/p&gt;&lt;p&gt;008 - Foreword&lt;/p&gt;&lt;p&gt;Essays&lt;/p&gt;&lt;p&gt;037 - Alice's Rabbit Hole&lt;/p&gt;&lt;p&gt;Everyday Life: Comprehensible and Incomprehensible Jo Hsiao, Curator&lt;/p&gt;&lt;p&gt;049 - The Spectator in Alice's Rabbit Hole: Museum as Theater│Gong Jow-Jiun, Associate Professor, Doctoral Program in Art Creation and Theory, Tainan National University of the Arts&lt;/p&gt;&lt;p&gt;058 - Toward a Liquid Art Museum - If Artists Left the Rabbit Hole&lt;/p&gt;&lt;p&gt;Yi-wei Keng, Artistic Director, Taipei Arts Festival&lt;/p&gt;&lt;p&gt;Plates&lt;/p&gt;&lt;p&gt;Alice's Rabbit Hole&lt;/p&gt;&lt;p&gt;067 - Cheng-TA Yu&lt;/p&gt;&lt;p&gt;072 - Chieh-Ting Hsieh&lt;/p&gt;&lt;p&gt;Challenging Exhibition Venue Specificity Staring from Exhibition Genres&lt;/p&gt;&lt;p&gt;081 - Chieh-Hua Hsieh + I-Fen Tung&lt;/p&gt;&lt;p&gt;Dialogue, Process, Collaboration&lt;/p&gt;&lt;p&gt;089 - Agi Chen&lt;/p&gt;&lt;p&gt;The Relationship among Arist, Viewer and Artwork&lt;/p&gt;&lt;p&gt;097 - Joyce Ho&lt;/p&gt;&lt;p&gt;104 - Chi-Wei Lin&lt;/p&gt;&lt;p&gt;Who Is the Author?&lt;/p&gt;&lt;p&gt;113 - Kun-Ying Lin&lt;/p&gt;&lt;p&gt;An Exhibition Is Not Simply an "Exhibit Room"&lt;/p&gt;&lt;p&gt;121 - Chih-Sheng Lai&lt;/p&gt;&lt;p&gt;128 - Yi-Wei Keng&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"7815132902","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/7351256/7815132902.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">7351257</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=9BC0B7C5AAB40FA5</Column_4><Column_5 name="title">Frames Within Time - Chang Chao-Tang</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Theme Publications&lt;br/&gt;Published Date: 2017/8/15&lt;br/&gt; ISSN: 978-986-05-1842-9&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;For further information, please refer to Chinese version.&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"781513373953","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/7351257/781513373953.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">7351258</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=02D40F07044CF869</Column_4><Column_5 name="title">2016 Taipei Arts Awards</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category:Exhibition Catalogs&lt;br/&gt;Published Date: 2017/8/15&lt;br/&gt; ISSN: 9789860519778&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Foreward&lt;/p&gt;&lt;p&gt;004 - Foreward&lt;/p&gt;&lt;p&gt;006 - Foreward&lt;/p&gt;&lt;p&gt;Juror's Review&lt;/p&gt;&lt;p&gt;008 - The Necessity of Imagination andNarratives,Observations Made on the 2016 Taipei Arts Awards&lt;/p&gt;&lt;p&gt;016 -  Inventing the Reality with a Fictional Phantom, My Observations of the 2016 Taipei Arts Awards Finalist Works&lt;/p&gt;&lt;p&gt;Grand Prize&lt;/p&gt;&lt;p&gt;028 - Jo-hung Tang&lt;/p&gt;&lt;p&gt;Honorable Mention&lt;/p&gt;&lt;p&gt;038 - Chih-hung Liu&lt;/p&gt;&lt;p&gt;046 - Chih-feng Chien&lt;/p&gt;&lt;p&gt;054 - Chen-yu Chen&lt;/p&gt;&lt;p&gt;062 - I-chun Chen&lt;/p&gt;&lt;p&gt;070 - Pei-shih Tu&lt;/p&gt;&lt;p&gt;Selected Award&lt;/p&gt;&lt;p&gt;080 - Chiao-yen Hsu&lt;/p&gt;&lt;p&gt;088 - Hung-lun Chen&lt;/p&gt;&lt;p&gt;096 - Pei-hsuan Wang&lt;/p&gt;&lt;p&gt;104 - Ding-yeg Wang&lt;/p&gt;&lt;p&gt;112 - Peo-Xin Chuand&lt;/p&gt;&lt;p&gt;120 - Ze Wei&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"781513424853","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/7351258/781513424853.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">7351259</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=0C8EDE61837A3CC1</Column_4><Column_5 name="title">Yang Shen Yuan</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Exhibition Catalogs&lt;br/&gt;Published Date: 2017/8/15&lt;br/&gt; ISSN: 978-986-05-2300-3&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;h4&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/h4&gt;&lt;p&gt;Contents&lt;/p&gt;&lt;p&gt;006 Foreword Ping Lin&lt;/p&gt;&lt;p&gt;015 Do you Still Remember? - On Yang-Shen-Yuan and Things That Are Deliberately Forgotten Jow-Jiun Gong&lt;/p&gt;&lt;p&gt;028 Forgetting - A Form of Death Ever Present Within Life Fang-Tze Hsu&lt;/p&gt;&lt;p&gt;041 From the Past to An Ethical Futurology Enkaryon Ang&lt;/p&gt;&lt;p&gt;051 Yang-Shen-Yuan&lt;/p&gt;&lt;p&gt;113 Before Yang-Shen-Yuan&lt;/p&gt;&lt;p&gt;138 Index&lt;/p&gt;&lt;p&gt;141 Biography&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"781513473753","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/7351259/781513473753.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">7351260</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=7AE613D4378C02E9</Column_4><Column_5 name="title">MODERN ART No.183 Quarterly 2016.12</Column_5><Column_6 name="Content">Publisher: TFAM &lt;br/&gt;Category:MODERN ART &lt;br/&gt;Published Date: 2017/8/15 &lt;br/&gt; ISSN: 977101802200112 &lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;h4&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/h4&gt;&lt;p&gt;Topic Taipei Biennial 2016&lt;/p&gt;&lt;p&gt;006 - An Interview with Cutator Diserens│Lin Chi-ming&lt;/p&gt;&lt;p&gt;025 - Archives as Lesions: Reading the Symptoms of "Gestures and Archives of the Present, Genealogies of the Future"│Hsu Ming-han&lt;/p&gt;&lt;p&gt;035 - Archives that Escape Everyday Life: Exploring Possibilities of Contemporary Art│Liu Yung-hao&lt;/p&gt;&lt;p&gt;042 - Trans-body in Sens-cious Field Research: Resistance in Latent Colonization and Subalterns' Epistémè│Chen Chieh-jen, Huang Chien-hung&lt;/p&gt;&lt;p&gt;050 - Looking as an Archiving Action: An Outsider's View of the 2016 Taipei Biennial│Kuo Wen-hua&lt;/p&gt;&lt;p&gt;062 - Haptic Seneations Beyond Visual Culture: Redefining"Modernity" in Museology so as to Readjust the Digitized Global Scale Model│Shigemi Inaga&lt;/p&gt;&lt;p&gt;Exhibition Topic&lt;/p&gt; &lt;p&gt;Dance with the Museum Collection&lt;/p&gt;&lt;p&gt;077 - Panel Discussion for the Exhibition "Amnesia and Malevich"s Pharmacy":4897, The Illusion of Subjectivity, Public Collections, Collecting History and Historical Collections│Guo Jau-lan, Wu Chieh-hsiang etc.&lt;/p&gt;&lt;p&gt;090 - Image Imaginings: Reinterpreting Realism in Post-war Taiwanese Photograph│Chu Yin-hua&lt;/p&gt;&lt;p&gt;098 - Mega-weave: Inter-reflections│Hsiao Yu-chih&lt;/p&gt;&lt;p&gt;Featured Artist&lt;/p&gt;&lt;p&gt;Wang Te-yu&lt;/p&gt;&lt;p&gt;106 - Interview with Wang Te-yu│Wang Po-wei&lt;/p&gt;&lt;p&gt;120 - The Art Museum in Print: No. 89 │Wang Te-yu&lt;/p&gt;&lt;p&gt;122 - TFAM Online&lt;/p&gt; &lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"78151404153","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/7351260/78151404153.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">7351261</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=43EB8F1167502D55</Column_4><Column_5 name="title">MODERN ART No.185 Quarterly 2017.6</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: MODERN ART&lt;br/&gt;Published Date: 2017/8/15&lt;br/&gt; ISSN:977101802200112 &lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;h4&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/h4&gt;&lt;p&gt;Topic: Taiwan Pavilion at the 2017 Venice Biennale&lt;/p&gt;&lt;p&gt;006 - Tehching Hsieh: Doing Time Edited by Liao Tsun-1ing &amp; Lei Yi-ting&lt;/p&gt;&lt;p&gt;Special Program: Sculpting the Contemporary&lt;/p&gt;&lt;p&gt;025 - Contemporary Sculpture: A Material Entity in a Virtual World│Chang Nai-wen&lt;/p&gt;&lt;p&gt;030 - Development of Metal Sculpture in Taiwan: Observations from Kao Tsan-hsing's Work│Sung Hsi-te&lt;/p&gt;&lt;p&gt;036 - A Giant in Steel Sculpture: Kao Tsan-hsing Retrospective│Alick Hu&lt;/p&gt;&lt;p&gt;Exhibition Topic: Open Dialogue&lt;/p&gt;&lt;p&gt;046 - New Horizons in Contemporary Taiwanese Architecture: 4th X-site Program│Hsiao Yu-chih&lt;/p&gt;&lt;p&gt;064 - Beyond the Surface of a Photograph: On "Faint Light, Dark Shadows"│Chen Chia-chi&lt;/p&gt;&lt;p&gt;071 - Interview: Lulu Shur-tzy Hou's Japan-Eye-Love-You│Jake Chen &amp; Lulu Shur-tzy Hou&lt;/p&gt;&lt;p&gt;080 - Aesthetics of Self-Documentation in "CHI Kai-Yuan 2017 Solo Exhibition"│Fang Yen-hsiang&lt;/p&gt;&lt;p&gt;Archival Research: Thinking about Documentation&lt;/p&gt;&lt;p&gt;088 - Preserving Memories: Establishing a Museum Archive│Lin Ching-en &amp; Kuo Tze-miao&lt;/p&gt;&lt;p&gt;Featured Artist: Pan Hsin-hua&lt;/p&gt;&lt;p&gt;094 - Art Museum in Print: One Day│Pan Hsin-hua&lt;/p&gt;&lt;p&gt;096 - Interview with Pan Hsin-hua│Chan Tsai-yun&lt;/p&gt;&lt;p&gt;117 - TFAM Online&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"78151461253","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/7351261/78151461253.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">7351262</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=CE09C79175E442C4</Column_4><Column_5 name="title">Line of Vision, The Photography of Wang Hsin</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Exhibition Catalogs&lt;br/&gt;Published Date:2017/8/15 &lt;br/&gt; ISSN:9789860516623 &lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;004 - Foreword&lt;/p&gt;&lt;p&gt;008 - Photography, My Journey and My Beliefs&lt;/p&gt;&lt;p&gt;014 - Reading Wang Hsin and Her Photography&lt;/p&gt;&lt;p&gt;022 - Line of Vision, The Photography of Wang Hsin&lt;/p&gt;&lt;p&gt;Works&lt;/p&gt;&lt;p&gt;058 - Private Landscapes&lt;/p&gt;&lt;p&gt;066 - Self-Lamentation&lt;/p&gt;&lt;p&gt;076 - Fugitive Eyes&lt;/p&gt;&lt;p&gt;088 - Taichung, My Hometown&lt;/p&gt;&lt;p&gt;108 - Puli Impressions&lt;/p&gt;&lt;p&gt;128 - A Trip to Wushe&lt;/p&gt;&lt;p&gt;168 - Farewell, Orchid Island&lt;/p&gt;&lt;p&gt;218 - Vedai, Kucapungane, Timur, Davalan&lt;/p&gt;&lt;p&gt;298 - On Portraits&lt;/p&gt;&lt;p&gt;320 - The Folklife of Penhu&lt;/p&gt;&lt;p&gt;370 - India, Nepal, Kashmir&lt;/p&gt;&lt;p&gt;406 - Scenes and Objects&lt;/p&gt;&lt;p&gt;414 - Another Kind of Existence&lt;/p&gt;&lt;p&gt;432 - Digital Images, Impromptu Creations&lt;/p&gt;&lt;p&gt;Appendix&lt;/p&gt;&lt;p&gt;446 - On Photography&lt;/p&gt;&lt;p&gt;466 - Timeline&lt;/p&gt;&lt;p&gt;478 - Biography&lt;/p&gt;&lt;p&gt;482 - Selected Bibliography&lt;/p&gt;&lt;p&gt;486 - Acknowledgements&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"781514113653","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/7351262/781514113653.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">7351263</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=3240050AAFF52254</Column_4><Column_5 name="title">Reverberations, Ho Kan, Paperback</Column_5><Column_6 name="Content">Publisher: TFAM &lt;br/&gt;Category: Exhibition Catalogs &lt;br/&gt;Published Date: 2017/8/15 &lt;br/&gt; ISSN:978-986-05-1543-5 &lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;004 - Foreword&lt;/p&gt;&lt;p&gt;006 - Artist Statement&lt;/p&gt;&lt;p&gt;Essays&lt;/p&gt;&lt;p&gt;008 - Sounds of Serenity, The Poetics and Logic of Ho Kan’s Painting&lt;/p&gt;&lt;p&gt;030 - Abstraction and Grace Transcending Time and Space&lt;/p&gt;&lt;p&gt;034 - Reverberations in Ho Kan’s Spatial Poetics&lt;/p&gt;&lt;p&gt;045 - Reverberations, Ho Kan&lt;/p&gt;&lt;p&gt;054 - Works, Plates&lt;/p&gt;&lt;p&gt;278 - Artist Biography&lt;/p&gt;&lt;p&gt;298 - Art and Documents&lt;/p&gt;&lt;p&gt;300 - Acknowledgements&lt;/p&gt;&lt;p&gt;302 - Copyrights&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"781514183953","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/7351263/781514183953.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">7351264</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=507F7D9926049270</Column_4><Column_5 name="title">Faint Light Dark Shadows</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category:Exhibition Catalogs &lt;br/&gt;Published Date:2017/8/15 &lt;br/&gt; ISSN:978-986-05-2670-7 &lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;007 - Greeting&lt;/p&gt;&lt;p&gt;019 - Essays &lt;/p&gt;&lt;p&gt;Uncovering the Light and Shadows beneath the Luminous Surface&lt;/p&gt;&lt;p&gt;The Progression of"Light":Rethinking the Meaning of the&lt;/p&gt;&lt;p&gt;Digitization of Images in the Context of Social and Cultural Changes&lt;/p&gt;&lt;p&gt;Faint Light，Dark Sadows:Images in Inner Spaces&lt;/p&gt;&lt;p&gt;063 - Participating Artists&lt;/p&gt;&lt;p&gt;291 - Captions &amp; About the Artists&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"781514223553","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/7351264/781514223553.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">7351265</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=2144DCAB46D79970</Column_4><Column_5 name="title">DOING TIME</Column_5><Column_6 name="Content">Publisher: TFAM &lt;br/&gt;Category:Exhibition Catalogs &lt;br/&gt;Published Date:2017/8/15 &lt;br/&gt; ISSN: 987-986-05-2217-4 &lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Preface&lt;/p&gt;&lt;p&gt;008 - Ping Lin&lt;/p&gt;&lt;p&gt;012 - Doing Time&lt;/p&gt;&lt;p&gt;014 - One Year Performance 1980-1981&lt;/p&gt;&lt;p&gt;018 - One Year Performance 1981-1982&lt;/p&gt;&lt;p&gt;022 - Road Repair&lt;/p&gt;&lt;p&gt;024 - Exposure&lt;/p&gt;&lt;p&gt;026 - Fump&lt;/p&gt;&lt;p&gt;028 - Outside Again&lt;/p&gt;&lt;p&gt;032 - Lifeworks│Adrian Heathfield&lt;/p&gt;&lt;p&gt;036 - Withdrawal│Joshua Chambers-Letson&lt;/p&gt;&lt;p&gt;045 - Double Exile│Jow Jiun Gong&lt;/p&gt;&lt;p&gt;074 - Lauori di uita│Adrian Heathfield&lt;/p&gt;&lt;p&gt;079 - Astensione│Joshua Chambers-Letson&lt;/p&gt;&lt;p&gt;088 - Doppio esilio│Jow Jiun Gong&lt;/p&gt;&lt;p&gt;098 - Artist: Tehching Hsieh&lt;/p&gt;&lt;p&gt;100 - Selected Exhibitions&lt;/p&gt;&lt;p&gt;101 - Curator: Adrian Heathfield&lt;/p&gt;&lt;p&gt;102 - Filmmaker: Hugo Glendinning&lt;/p&gt;&lt;p&gt;103 - Acknowledgements&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"7103015275571","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/7351265/7103015275571.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">7351266</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=264EADE189880FFB</Column_4><Column_5 name="title">Self-Archiving</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category:Exhibition Catalogs &lt;br/&gt;Published Date: 2017//8/15&lt;br/&gt; ISSN:978-986-05-2399-7 &lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Preface &lt;/p&gt;&lt;p&gt;006 - Ping Lin / Director of Taipei Fine Arts Museum&lt;/p&gt;&lt;p&gt;009 - Manray Hsu / Independent Curator&lt;/p&gt;&lt;p&gt;Essay&lt;/p&gt;&lt;p&gt;016 - Why Archives Go Viral│Hong-John Lin&lt;/p&gt;&lt;p&gt;036 - Infinity Archives: Manray Hsu，Jhouyu Conversation Self-Archiving│Manray Hsu&lt;/p&gt;&lt;p&gt;049 - Artist Statement│Jhouyu&lt;/p&gt;&lt;p&gt;Artworks&lt;/p&gt;&lt;p&gt;050 - Measuring Instituting / Archive, performance, readymade / 2016&lt;/p&gt;&lt;p&gt;066 - Karma-Gap / Performance, video, archive / 2016&lt;/p&gt;&lt;p&gt;076 - Starry Heavens / Archive, bottle, sic, bacteria / 2013-2016&lt;/p&gt;&lt;p&gt;092 - The Infinity of Lists / Empty archive, archival inject print, pen / 2015&lt;/p&gt;&lt;p&gt;100 - Gespenst / Archive, 2-channel video installation, fog / 2014&lt;/p&gt;&lt;p&gt;114 - Climbing become kinda produvtion / Ladder, paper, pen / 2015&lt;/p&gt;&lt;p&gt;124 - Capital Project / Archive, readymade / 2016&lt;/p&gt;&lt;p&gt;132 - R: Without you， I"m Nothing. / Electronic components and program, signal / 2016&lt;/p&gt;&lt;p&gt;144 - Sponsor Project / Archive, installation / 2016&lt;/p&gt;&lt;p&gt; 159 - Making Money / PP, ink, archival inject print, acrylic, neon / 2016&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"781514303253","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/7351266/781514303253.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">7351255</Column_0><Column_1 name="ArticleType">1</Column_1><Column_2 name="FileName">https://www-ws.gov.taipei/Download.ashx?u=LzAwMS9VcGxvYWQvMzk4L3JlbGZpbGUvMTk5NjUvNzM1MTI1NS83NjExNDMyMzQ3MS5wZGY%3d&amp;n=NzYxMTQzMjM0NzEucGRm</Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=7A64A271B4E1C346</Column_4><Column_5 name="title">YearBook</Column_5><Column_6 name="Content"></Column_6><Column_7 name="Files">[{"title":"YearBook","url":"https://www-ws.gov.taipei/001/Upload/398/relfile/19965/7351255/76114323471.pdf"}]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Public Works Department, Taipei City Government</Column_11></Data><Data><Column_0 name="DataSN">3340127</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=7FBE3FFA7551E701</Column_4><Column_5 name="title">Publications of Indigenous Peoples Commission</Column_5><Column_6 name="Content">&lt;DIV class="box"&gt;&lt;OL&gt;&lt;LI&gt;Considering the employment needs of enterprises and indigenous people’s job aptitude, carrying out aboriginal vocational training courses, as well as to support the talent fostering notion of education and work.&lt;/LI&gt;&lt;LI&gt;Promote e-learning vocational training network; build an e-learning center of which integrates tradition with digitization.&lt;/LI&gt;&lt;LI&gt;Upgrade the management of aboriginal enterprises, continue the service of business administration, and strengthen their competitiveness at work place.&lt;/LI&gt;&lt;LI&gt;Authorize professional business group to be in charge of management, collective marketing and packing, create diverse marking system of aboriginal products.&lt;/LI&gt;&lt;LI&gt;Advertise aboriginal products via multi-media and internet, actively push Taiwan aboriginal gifts to the market.&lt;/LI&gt;&lt;LI&gt;Assist aboriginal enterprises in combining with E-Commerce, create diverse marking media of aboriginal products&lt;/LI&gt;&lt;LI&gt;Expand the teaching work of aboriginal language nest, make aboriginal language education more institutional and apply to daily life.&lt;/LI&gt;&lt;LI&gt;Enhance the promotion of aboriginal social structure and culture features via digital image.&lt;/LI&gt;&lt;LI&gt;Hold cultural exchange and exchange visits between city and tribal students, foster the friendship and shorten the gap.&lt;/LI&gt;&lt;LI&gt;Hold aboriginal academic and cultural exchanges worldwide, increase its global visibility.&lt;/LI&gt;&lt;LI&gt;Promote academic and cultural exchanges, and exchange visits between the ethnic minority cross-strait, and foster the friendship.&lt;/LI&gt;&lt;/OL&gt;&lt;/DIV&gt;&lt;P/&gt;&lt;P/&gt;&lt;br&gt;&lt;br&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Indigenous Peoples Commission, Taipei City Government, Taiwan</Column_11></Data><Data><Column_0 name="DataSN">4988774</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=854C28CE3BDD3FB5</Column_4><Column_5 name="title">The Night of Sodom</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Exhibition Catalogs&lt;br/&gt;Published Date: 2016/12&lt;br/&gt; ISSN:978-986-05-0311-1&lt;br/&gt;Price: NT$800&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;008 - Ping Lin, Director, Taipei Fine Arts Museum&lt;/p&gt;&lt;p&gt;Essays&lt;br /&gt;032 - Dazzing / Death / Sublimation ─ Notes on the Making of The Night of Sodom │ Jun - Jieh Wang, Man-Nung Chou&lt;/p&gt;&lt;p&gt;038 - Appropriating, Remaking and Creating: The Three Stage Symbolic Order and the Visual Rhetorical Strategy in The Night of Sodom │ Chih-Yung Aaron Chiu&lt;/p&gt;&lt;p&gt;042 - Contemporary Exection Ground in a Box │ Chien-Hung Huang&lt;/p&gt;&lt;p&gt;046 - A Parallel Writing on Sodom Melancholia: Ecstasy of a Civilized Murder │ Huan-Hsiung Li&lt;/p&gt;&lt;p&gt;Works&lt;/p&gt;&lt;p&gt;052 - Mixed Media Kinetic Installation, The Night of Sodom&lt;/p&gt;&lt;p&gt;094 - Mixed Msdia Space Installation, Melancholy Youth Encyclopedia&lt;/p&gt;&lt;p&gt;132 - Exhibition Panel Discussion&lt;/p&gt;&lt;p&gt;139 - Production Journal&lt;/p&gt;&lt;p&gt;150 - Project Team Profile&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"722311503053","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/4988774/883cd9f7-1f43-4837-99fb-e3e6386bde8d.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">4988775</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=B23BE456B74DFDB9</Column_4><Column_5 name="title">Alice's Rabbit Hole</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Exhibition Catalogs&lt;br/&gt;Published Date: 2016/09&lt;br/&gt; ISSN:987-986-04-9174-6&lt;br/&gt;Price: NT$360&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;008 - Foreword&lt;/p&gt;&lt;p&gt;Essays&lt;/p&gt;&lt;p&gt;037 - Alice&amp;#39;s Rabbit Hole&lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Everyday Life: Comprehensible and Incomprehensible Jo Hsiao, Curator&lt;/p&gt;&lt;p&gt;049 - The Spectator in Alice&amp;#39;s Rabbit Hole: Museum as Theater&amp;nbsp;&lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Gong Jow-Jiun, Associate Professor, Doctoral Program in Art Creation and Theory, Tainan National University of the Arts&lt;/p&gt;&lt;p&gt;058 - Toward a Liquid Art Museum - If Artists Left the Rabbit Hole&lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Yi-wei Keng, Artistic Director, Taipei Arts Festival&lt;/p&gt;&lt;p&gt;Plates&lt;/p&gt;&lt;p&gt;Alice&amp;#39;s Rabbit Hole&lt;/p&gt;&lt;p&gt;067 - Cheng-TA Yu&lt;/p&gt;&lt;p&gt;072 - Chieh-Ting Hsieh&lt;/p&gt;&lt;p&gt;Challenging Exhibition Venue Specificity Staring from Exhibition Genres&lt;/p&gt;&lt;p&gt;081 - Chieh-Hua Hsieh + I-Fen Tung&lt;/p&gt;&lt;p&gt;Dialogue, Process, Collaboration&lt;/p&gt;&lt;p&gt;089 - Agi Chen&lt;/p&gt;&lt;p&gt;The Relationship among Arist, Viewer and Artwork&lt;/p&gt;&lt;p&gt;097 - Joyce Ho&lt;/p&gt;&lt;p&gt;104 - Chi-Wei Lin&lt;/p&gt;&lt;p&gt;Who Is the Author?&lt;/p&gt;&lt;p&gt;113 - Kun-Ying Lin&lt;/p&gt;&lt;p&gt;An Exhibition Is Not Simply an &amp;quot;Exhibit Room&amp;quot;&lt;/p&gt;&lt;p&gt;121 - Chih-Sheng La&lt;/p&gt;&lt;p&gt;128 - Yi-Wei Keng&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"72231155653","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/4988775/c32ab916-5465-4800-bc81-e902333f22fc.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">4988776</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=9FFB7573A7BCE469</Column_4><Column_5 name="title">Yang Mao-lin, MADE IN TAIWAN</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Exhibition Catalogs&lt;br/&gt;Published Date: 2016/12&lt;br/&gt; ISSN:978-986-05-0979-3&lt;br/&gt;Price: NT$2000&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;008 - Foreword&lt;/p&gt;&lt;p&gt;012 - Glittering Soul&lt;/p&gt;&lt;p&gt;020 - Rebellious Nomadology, Yang Mao-lin&amp;#39;s Split Rhetoric and Sarcasm&lt;/p&gt;&lt;p&gt;044 - Yang Mao-lin&amp;#39;s Empire Image&lt;/p&gt;&lt;p&gt;Artwork&lt;/p&gt;&lt;p&gt;065 - Avant-Grande Reaction&lt;/p&gt;&lt;p&gt;117 - National Epic&lt;/p&gt;&lt;p&gt;225 - Bad Taste&lt;/p&gt;&lt;p&gt;251 - The Immortals&lt;/p&gt;&lt;p&gt;315 - Wonderland&lt;/p&gt;&lt;p&gt;Appendixes&lt;/p&gt;&lt;p&gt;394 - Biography&lt;/p&gt;&lt;p&gt;404 - List of Exhibitions&lt;/p&gt;&lt;p&gt;416 - Bibliography&lt;/p&gt;&lt;p&gt;420 - Exhibition floor plan&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"722311574053","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/4988776/3620ab57-7f62-49b7-bc70-e51ebe6bf1e0.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">4988777</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=21CC2EE4BC7495C0</Column_4><Column_5 name="title">Journal of TFAM | 30</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Journal of TFAM&lt;br/&gt;Published Date: 2015/12&lt;br/&gt; ISSN: 1560-4713&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;em&gt;View&amp;ndash;Point: A Retrospective Exhibition of Li Yuan-chia&lt;/em&gt;is the first large-scale retrospective exhibition of Li Yuan-chia &amp;lsquo;s work held in Asia. Working in collaboration with London&amp;rsquo;s LYC Foundation, the museum team invested many years in preparing this reassessment of abstract art pioneer Li Yuan-chia and his context. As an early proponent of conceptualism from the Taiwanese abstract art community, he was remarkable for developing a following in the art world on European Continent, but was barely known in Taiwan due to limitations on information from abroad. His creative range included ink, oil and monochromatic painting, photography, and conceptual art, and he even expanded the definition of art by founding and running a museum as part of his practice. Over 190 early ink painting, two and three dimensional installations, documents and sound art, photography, and mixed media works are exhibited, including those from his creative periods in Taiwan, Bologna. London and Cumbria.&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;h4&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/h4&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;ul style="list-style:none;"&gt;&lt;li&gt;&lt;p style="line-height:3em;"&gt;&lt;strong&gt;I &lt;/strong&gt;&lt;/p&gt;&lt;ul style="list-style:none;"&gt;&lt;li&gt;004 PREFACE Ping Lin Director, Taipei Fine Art Museum&lt;/li&gt;&lt;li&gt;008 PREFACE The LYC Foundation&lt;/li&gt;&lt;li&gt;TEXTS&lt;/li&gt;&lt;li&gt;018 UYOPIA BEYOND COSMOPOLITANISM&lt;br /&gt;A Traslocal View of Li Yuan-chia&lt;br /&gt;Diana Yeh&lt;/li&gt;&lt;li&gt;078 Li Yuan-chia&lt;br /&gt;Art and Artefact&lt;br /&gt;Yu Wei&lt;/li&gt;&lt;li&gt;114 MORE THAN A MUSEUM&lt;br /&gt;LYC Museum and Art gellery&lt;br /&gt;Mei-ching FANG&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;p style="line-height:3em;"&gt;&lt;strong&gt;II &lt;/strong&gt;&lt;/p&gt;&lt;ul style="list-style:none;"&gt;&lt;li&gt;007 1949-1962 Taipei&lt;/li&gt;&lt;li&gt;029 1962-1966 Bologna&lt;/li&gt;&lt;li&gt;093 1966-1968 London&lt;/li&gt;&lt;li&gt;103 1968-1994 Cumbria&lt;/li&gt;&lt;li&gt;Text by Mei-ching FANG&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;p style="line-height:3em;"&gt;&lt;strong&gt;III &lt;/strong&gt;&lt;/p&gt;&lt;ul style="list-style:none;"&gt;&lt;li&gt;007 Poem&lt;/li&gt;&lt;li&gt;071 Album&lt;/li&gt;&lt;li&gt;101 Chronology&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"722316243153","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/4988777/46eaa84d-74b2-4d2a-9505-3851d1fd605a.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">4988778</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=96229366122E35E6</Column_4><Column_5 name="title">Journal of TFAM | 31</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Journal of TFAM&lt;br/&gt;Published Date: 2016/06&lt;br/&gt; ISSN: 1560-4713&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;h4&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/h4&gt;&lt;p&gt;Editor-in-chief &amp;rsquo;s Note&lt;/p&gt;&lt;p&gt;Theme Contemporary Art and Media Culture&lt;/p&gt;&lt;p&gt;Ai Weiwei&amp;rsquo;s Social Media Utilization and Identity Development / Cheng Hui-wen&lt;/p&gt;&lt;p&gt;Looking at &amp;ldquo;China: Through the Looking Glass&amp;rdquo; / Chu Chi-jung&lt;/p&gt;&lt;p&gt;Animation as the Tinkerer&amp;rsquo;s Dream: The Animator and the Operational Aesthetic / Tai Peng-yi&lt;/p&gt;&lt;p&gt;Tit for Tat: Pierre Huyghe&amp;rsquo;s spectacle-as-format / Chen Chiao&lt;/p&gt;&lt;p&gt;Reframing Disaster: Word and Image in Tacita Dean&amp;rsquo;s The Russian Ending / Kathryn Brown&lt;/p&gt;&lt;p&gt;Contemporary Korean Art in the Age of Cosmetic Surgery / SooJin Lee&lt;/p&gt;&lt;p&gt;General Essay&lt;/p&gt;&lt;p&gt;Discussion of the Relational Aesthetics of Marcel Duchamp Prize-winning Artists: A Study of 2014 Winner Julien Pr&amp;eacute;rvieux / Lin Su-hui&lt;/p&gt;&lt;p&gt;Appendix1 Summary of the Journal&lt;/p&gt;&lt;p&gt;Appendix2 Call for Contributions&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"722316263853","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/4988778/b7524c34-8dc5-4976-b12d-68a3d02a5bd4.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">4988779</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=FB07D93FDDF83A5B</Column_4><Column_5 name="title">Journal of TFAM | 32</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Journal of TFAM&lt;br/&gt;Published Date: 2016/12&lt;br/&gt; ISSN: 1560-4713&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;h4&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/h4&gt;&lt;p&gt;003 - A Note from the Chief Editor&lt;/p&gt;&lt;p&gt;Theme Southeast Asia and Taiwan: Modernity and Postcolonial Manifestations in Visual Art&lt;/p&gt;&lt;p&gt;007 - Bagyi Aung Soe (1923 - 1990): Strategies for an Autonomous &amp;amp; Compassionate Artistic Modernity / Yin Ker&lt;/p&gt;&lt;p&gt;037 - Uspoken Condition: Imagining an Alternative Malaysia Contemporary Art / Chai Chang-hwang&lt;/p&gt;&lt;p&gt;065 - Places: Becoming Artistic Field / Sandy Hsiu-chih Lo&lt;/p&gt;&lt;p&gt;095 - Appendix1 Summary of the Journal&lt;/p&gt;&lt;p&gt;098 - Appendix2 Call for Contributions&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"722316285453","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/4988779/7a17df05-8d3a-495c-a84c-2d92140d6e5a.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340124</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=4FD45A3AD4D9256E</Column_4><Column_5 name="title">Non-periodical</Column_5><Column_6 name="Content">&lt;TABLE cellspacing="0" cellpadding="0" width="100%" border="1"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD&gt; &lt;IMG alt="The Chronicles of DBAS, TCG" src="http://www-ws.gov.taipei/001/Upload/public/MMO/DBAS/出版品N2.jpg" mmoid="61191"/&gt;&lt;/TD&gt;&lt;TD&gt;&lt;P&gt;The Chronicles of Department of Budget, Accounting and Statistics, Taipei City Government&lt;/P&gt;&lt;UL&gt;&lt;LI&gt;Summary: The promoting process and results of operations for DBAS.&lt;BR/&gt;&lt;BR/&gt;&lt;/LI&gt;&lt;LI&gt;Publication Date: nonscheduled&lt;BR/&gt;&lt;BR/&gt;&lt;/LI&gt;&lt;LI&gt;Availability: &lt;BR/&gt; 1. It is available to all BAS personnel for reference.&lt;BR/&gt; 2. It is available on the DBAS website.&lt;/LI&gt;&lt;/UL&gt;&lt;P/&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Department of Budget, Accounting and Statistics, Taipei City Government</Column_11></Data><Data><Column_0 name="DataSN">3340281</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=F0258F8E5C204BA2</Column_4><Column_5 name="title">MODERN ART No.181 Quarterly 2016.06</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: MODERN ART&lt;br/&gt;Published Date: 2016/06&lt;br/&gt; ISSN: 977-101802200-106   &lt;br/&gt;Price: NT$150&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Topic :Evidence and Its Effects&lt;/p&gt;&lt;p&gt;006 - (Re)Archiving: Archive in Taiwanese Contemporary Art│Chen Ping-hao&lt;br /&gt;016 - The Revival of Southern Testimony│Enkaryon Ang&lt;br /&gt;024 - Confronting Reality: A Realm of Archive│Nicole Lai&lt;br /&gt;035 - A Silent Chan Tone: Ho Kan's Study of Art in the Media│Chen Hou-ho&lt;/p&gt;&lt;p&gt;Special Program &lt;br /&gt;Southeast Asian Reality&lt;/p&gt;&lt;p&gt;042 - Field Notes From Artworlds: Interest and Impasse│Patrick D. Flores&lt;br /&gt;058 - Truly Asian: Scenes of Magical Realism in Malaysia│Wang Po-wei&lt;/p&gt;&lt;p&gt;Exhibition Topic&lt;br /&gt;The Way Things Go&lt;/p&gt;&lt;p&gt;067 - Body as an Object within an Object: Bodily Experience in "The Way Thing Go"│Wang Kuan-ting&lt;br /&gt;072 - Unexpected Expansion in "The Way Things Go"│Chen Shao-hung&lt;/p&gt;&lt;p&gt;Collection Research&lt;br /&gt;History of the TFAM Collection&lt;/p&gt;&lt;p&gt;079 - A Record of Events in TFAM's Permanent Collection Exhibition│Chen Shu-ling&lt;/p&gt;&lt;p&gt;Featured Artist&lt;br /&gt;Chen Cheng-tsai&lt;/p&gt;&lt;p&gt;093 - An Interview with Chen Cheng-tsai│Chan Tsai-yun / Wang Po-wei&lt;br /&gt;105 - tHE Art Museum in Print:13:4-7│Chen Cheng-tsai&lt;/p&gt;&lt;p&gt;108 - TFAM Online&lt;/p&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"611229423653","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/3340281/833b2937-da24-4c2b-9f43-f2f743851594.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340282</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=8442FA0133342921</Column_4><Column_5 name="title">MODERN ART No.182 Quarterly 2016.09</Column_5><Column_6 name="Content">&lt;p&gt;Publisher: TFAM&lt;br /&gt;Category: MODERN ART&lt;br /&gt;Published Date: 2016/09&lt;br /&gt;ISSN: 977-101802200-109&lt;br /&gt;Price: NT$150&lt;br /&gt;&lt;br /&gt;&lt;br /&gt; &lt;/p&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Topic&lt;/p&gt;&lt;p&gt;Interpreting the Archives - Art Attitudes&lt;/p&gt;&lt;p&gt;006 - Traces: Multiple Versions of History in Archival Art│Kuan Hsiu-hui&lt;/p&gt;&lt;p&gt;014 - The Power of Sisyphe ─ the Alternative Memory of"Disobedient Objects"│Chen Hui-ying&lt;/p&gt;&lt;p&gt;020 - Curating "Declaration/Documentation:Taipei Biennial, 1996-2014"│Sherleen Yu&lt;/p&gt;&lt;p&gt;027 - Rooting Upwards: Some Notes on Activating Archives│Hammad Nasar / Michelle Wong&lt;/p&gt;&lt;p&gt;034 - How Archives Become History: OCAT and Chinese Comtemporary Art│Dong Bingfeng&lt;/p&gt;&lt;p&gt;Special Program&lt;/p&gt;&lt;p&gt;Maiwan, The Link between Malaysian and Taiwanese Art&lt;/p&gt;&lt;p&gt;044 - Malaysian Artists who Studied in Taiwan from 1950s to 1960s: The Influence and Contributions of Choong Kam Kow, Tan Chiang Kiong and Lin Peng Fei on Malaysian Art Education│Lim Ai Woei&lt;/p&gt;&lt;p&gt;058 - The Benevolent Two: Comparing the Artistic Careers of Liou Shiou-ping and Choong Kam Kow│Moses Hsu&lt;/p&gt;&lt;p&gt;069 - A Few Notes on the Painting World of Tan Chiang Kiong│Chong Kiat Hong&lt;/p&gt;&lt;p&gt;Exhibition Topic&lt;/p&gt;&lt;p&gt;Situation, Expansion&lt;/p&gt;&lt;p&gt;079 - Revisited Mirror Images and Self Reflection in a Reverse Narrative Space: Visual Language in "Looking Glass - Daniel Lee Retrospective"│Chiu Chih-yung&lt;/p&gt;&lt;p&gt;088 - Under the Azure Sky: "Life between Delight and Discomfort"│Jo Hsiao&lt;/p&gt;&lt;p&gt;Collection Research&lt;/p&gt;&lt;p&gt;Exhibition from the Museum Collection&lt;/p&gt;&lt;p&gt;096 - Curating the Museum Collection: A Partial History of Art│Keith Cheng&lt;/p&gt;&lt;p&gt;107 - Asai Chu and Yushima-Seido-Taiseiden, Shrine of Confucius│Lin Chiao-pi&lt;/p&gt;&lt;p&gt;Featured Artist&lt;/p&gt;&lt;p&gt;Shiau-Peng Chen&lt;/p&gt;&lt;p&gt;111 - The Belly of the Trojan Horse: How to Speak from an Abstract Painting│Hongjohn Lin&lt;/p&gt;&lt;p&gt;118 - The Art Museum in Print: Gifts Artists Look For│Shiau-Peng Chen&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"611229474153","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/3340282/2be0a581-818f-4fd5-8fb2-e66c0fc68cd1.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340283</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=83C5BE51F8ECBE7B</Column_4><Column_5 name="title">State of Flux, Chou Tai-chun</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Exhibition Catalogs&lt;br/&gt;Published Date: 2016/09&lt;br/&gt; ISSN:978-986-04-9866-0 &lt;br/&gt;Price: NT$800&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;004 - Foreword&lt;/p&gt;&lt;p&gt;006 - The Crisis of Collapse, On Tai-chun Chou&amp;#39;s Paintings&lt;/p&gt;&lt;p&gt;020 - Status of Flux&lt;/p&gt;&lt;p&gt;025 - Plates&lt;/p&gt;&lt;p&gt;091 - Index of Plates&lt;/p&gt;&lt;p&gt;097 - Biography&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"6112210324153","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/3340283/b8c8daa6-3f72-420c-855e-8715355a37df.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340279</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=85527AC393F08622</Column_4><Column_5 name="title">Coral Stone Mountain, Chen Shun-chu</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Exhibition Catalogs&lt;br/&gt;Published Date: 2016/07&lt;br/&gt; ISSN: 978-986-04-8018-4&lt;br/&gt;Price: NT$1200&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;006 - Foreword&lt;/p&gt;&lt;p&gt;Essays&lt;/p&gt;&lt;p&gt;015 - Lost in the Road&lt;br /&gt;031 - Memory and Oblivion, Chen Shun-chu’s Road Home&lt;br /&gt;049 - A Montage of Chen Shun-chu’s Recollections from Coral Stone Mountain&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;Works&lt;br /&gt;062 - Along the Road&lt;br /&gt;073 - Image and Imagery&lt;br /&gt;086 - Shihgandang&lt;br /&gt;168 - Reality, Fantasy and Memory of My Images in Mixed Media&lt;br /&gt;176 - The Remnant Vision&lt;br /&gt;179 - Distance in Memory&lt;br /&gt;213 - About Xindian Boys&lt;/p&gt;&lt;p&gt;Appendix&lt;br /&gt;226 - List of works&lt;br /&gt;250 - Biography&lt;br /&gt;253 - Acknowledgement&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"610201531153","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/3340279/739f74e3-4a2d-425b-8eb7-5e3d7d2266f7.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340280</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=7F855F34A693FCFA</Column_4><Column_5 name="title">Looking Glass, Daniel Lee Retrospective</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Exhibition Catalogs&lt;br/&gt;Published Date: 2016/08&lt;br/&gt; ISSN: 978-986-04-9612-3  &lt;br/&gt;Price: NT$1500&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;Contents&lt;/p&gt;&lt;p&gt;005 &amp;nbsp;Foreword&lt;/p&gt;&lt;p&gt;2016-1993&lt;/p&gt;&lt;p&gt;013 - On a Journey of 100 miles, 90 Miles Is Only Halfway There On Daniel Lee&amp;#39;s Drive to Challenge Himself │ C. J. Yen&lt;br /&gt;020 - NEXT&lt;br /&gt;032 - Circus&lt;br /&gt;046 - Dreams&lt;br /&gt;060 - Jungle&lt;br /&gt;076 - Harvest&lt;br /&gt;100 - Nightlife&lt;br /&gt;116 - Origin&lt;br /&gt;122 - Self-Portrait&lt;br /&gt;126 - 108 wINDOWS&lt;br /&gt;132 - Judgment&lt;br /&gt;144 - Manimals&lt;/p&gt;&lt;p&gt;2003-1965&lt;br /&gt;169 - Before the Hybridity - A Brief Survey of Daniel Lee&amp;#39;s Early Works │ Chong-ray Hsiao&lt;br /&gt;182 - Homeless&lt;br /&gt;192 - Color of the 3rd Kind&lt;br /&gt;206 - Image of China&lt;br /&gt;218 - B&amp;amp;Ｗ Portraits&lt;br /&gt;232 - Student Period&lt;br /&gt;247 - Daniel Lee&amp;#39;s One Thousand and One Nights of Man and Beast │ Xiao-tong Sun&lt;/p&gt;&lt;p&gt;255 - Archive│Gallery&lt;br /&gt;277 - Appendix&lt;br /&gt;278 - Timeline&lt;br /&gt;283 - Exhibitions&lt;br /&gt;284 - Collections&lt;br /&gt;286 - Selected Bibliography&lt;br /&gt;288 - Index of Works&lt;br /&gt;295 - Acknowlegements&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"6102015333853","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/3340280/69e0dd61-0f66-4b03-9fbd-ae4a7f402bed.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340278</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=EDEBC185BDCB7740</Column_4><Column_5 name="title">2015 TFAM Annual Report</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Annual Report&lt;br/&gt;Published Date: 2015/05/01&lt;br/&gt; GPN: 4710500649&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;Annual Report File Download:&lt;/strong&gt;&lt;br/&gt;&lt;a href="http://www.tfam.museum/File/files/05research/02annual%20report/2015/2015tfam_annualreport_english_ok.pdf" target="_blank" title="2015 TFAM Annual Report.pdf, opened with a new window."&gt;&lt;span class="icon-download"&gt; &lt;/span&gt;2015 TFAM Annual Report.pdf&lt;/a&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;h4&gt;Contents&lt;/h4&gt;&lt;p&gt;02 Preface&lt;/p&gt;&lt;p&gt;04 I ︱ Museum Outlook&lt;/p&gt;&lt;p&gt;10 II︱ Accomplishments&lt;/p&gt;&lt;ul style="list-style:none;padding-left:2em;"&gt;&lt;li&gt;[1] Exhibitions &amp;amp; Display&lt;/li&gt;&lt;li&gt;[2] Research &amp;amp; Publications&lt;/li&gt;&lt;li&gt;[3] Promotion &amp;amp; Education&lt;/li&gt;&lt;li&gt;[4] Permanent Collection &amp;amp; Innovation&lt;/li&gt;&lt;li&gt;[5] Public Relations &amp;amp; Marketing&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;40 Appendices&lt;/p&gt;&lt;ul style="list-style:none;padding-left:2em;"&gt;&lt;li&gt;1 Background&amp;mdash;Brief History, Museum Architecture, Floor Plan, Facilities,External Services, Organizational Structure, Organizational Diagram, Museum Information&lt;/li&gt;&lt;li&gt;2 Statistics&amp;mdash;Annual Budget, Maintenance and Updates, Acquisitions, Restoration projects, Collections Exchange, Visitor Statistics, Programs Statistics, Website Traffic, Sponsorship, International Exchanges&lt;/li&gt;&lt;/ul&gt;&lt;p&gt; &lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"671510161653","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/3340278/c2f51ba3-ea49-428f-af7b-5bbd318477eb.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340276</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=374C223A84D75B39</Column_4><Column_5 name="title">Microphone Test, Hsu Che-yu</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Exhibition Catalogs&lt;br/&gt;Published Date: 2015/12&lt;br/&gt; ISSN: 978-986-04-6872-4&lt;br/&gt;Price: NT$350&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;Contents&lt;/p&gt;&lt;p&gt;004 - Foreword&lt;br /&gt;007 - Microphone Test 1&lt;br /&gt;048 - Three Mistakes&lt;br /&gt;054 - Stories Unrelated to You&lt;br /&gt;070 - Microphone Test 2&lt;br /&gt;102 - The temptation of Reenactment&lt;br /&gt;109 - Luo Yi-chun on Microphone Test: A Letter to Huang Guo-jun&lt;br /&gt;120 - Biography&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"671416472053","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/3340276/a3a8b59a-4e39-42e2-8146-7c6c452b0019.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340277</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=58AE21E9AB7948E5</Column_4><Column_5 name="title">Animal Farm, The Paintings of Su Wong-shen</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Exhibition Catalogs&lt;br/&gt;Published Date: 2016/03&lt;br/&gt; ISSN: 978-986-04-6872-4&lt;br/&gt;978-986-04-8260-7Price: NT$2200&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;Contents&lt;/p&gt;&lt;p&gt;Foreword&lt;br /&gt;Essay&lt;br /&gt;Animal Farm, The Paintings of Su Wong-shen&lt;br /&gt;Landscapes of Reciprocal Human / Animal Metaphor, The Escapism of Su Wong-shen&lt;br /&gt;Works&lt;br /&gt;Self-portraits&lt;br /&gt;Appendix&lt;br /&gt;Timeline&lt;br /&gt;Index of Works&lt;br /&gt;Selected Bibliography&lt;br /&gt;Acknowledgements&lt;br /&gt;Documentary Film&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"671416492253","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/3340277/92eb1cec-c1e2-46f1-bbf2-e7890352895c.png"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340275</Column_0><Column_1 name="ArticleType">1</Column_1><Column_2 name="FileName">https://www-ws.gov.taipei/Download.ashx?u=LzAwMS9VcGxvYWQvMzk4L3JlbGZpbGUvMTk5NjUvMzM0MDI3NS82NTExMTAyNzMxNzEucGRm&amp;n=NjUxMTEwMjczMTcxLnBkZg%3d%3d</Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=C7C286D8E5BAE92F</Column_4><Column_5 name="title">2015 Exchange_Taipei_Travel_Note(pdf)</Column_5><Column_6 name="Content">Exchange_Taipei_Travel_Note&lt;br&gt;</Column_6><Column_7 name="Files">[{"title":"2015 Exchange_Taipei_Travel_Note(pdf)","url":"https://www-ws.gov.taipei/001/Upload/398/relfile/19965/3340275/651110273171.pdf"}]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei City Office of Commerce</Column_11></Data><Data><Column_0 name="DataSN">3340125</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=00C55146BA726663</Column_4><Column_5 name="title">Public Health of Taipei City Annual Report</Column_5><Column_6 name="Content"></Column_6><Column_7 name="Files">[{"title":"Public Health of Taipei City Annual Report 2013","url":"https://www-ws.gov.taipei/001/Upload/public/Attachment/56313262415.pdf"},{"title":"Public Health of Taipei City Annual Report 2011","url":"https://www-ws.gov.taipei/001/Upload/public/Attachment/56313303836.pdf"},{"title":"Public Health of Taipei City Annual Report 2009","url":"https://www-ws.gov.taipei/001/Upload/public/Attachment/56313342997.pdf"},{"title":"Public Health of Taipei City Annual Report 2014","url":"https://www-ws.gov.taipei/001/Upload/public/Attachment/612114484563.pdf"},{"title":"Public Health of Taipei City Annual Report 2012","url":"https://www-ws.gov.taipei/001/Upload/public/Attachment/56313294131.pdf"},{"title":"Public Health of Taipei City Annual Report 2010","url":"https://www-ws.gov.taipei/001/Upload/public/Attachment/56313324620.pdf"},{"title":"Public Health of Taipei City Annual Report 2008","url":"https://www-ws.gov.taipei/001/Upload/public/Attachment/56313362877.pdf"},{"title":"Public Health of Taipei City Anuual Report 2015","url":"https://www-ws.gov.taipei/001/Upload/public/Attachment/711815162460.pdf"}]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Department of Health, Taipei City Government</Column_11></Data><Data><Column_0 name="DataSN">3340274</Column_0><Column_1 name="ArticleType">1</Column_1><Column_2 name="FileName">https://www-ws.gov.taipei/Download.ashx?u=LzAwMS9VcGxvYWQvMzk4L3JlbGZpbGUvMTk5NjUvMzM0MDI3NC82NDE4MTE0NDQ3NzEucGRm&amp;n=NjQxODExNDQ0NzcxLnBkZg%3d%3d</Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=B0F218A1A8E720E5</Column_4><Column_5 name="title">2015 Taipei City Night Market Guide </Column_5><Column_6 name="Content"></Column_6><Column_7 name="Files">[{"title":"2015 Taipei City Night Market Guide ","url":"https://www-ws.gov.taipei/001/Upload/398/relfile/19965/3340274/641811444771.pdf"}]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Department of Economic Development ,Taipei City Government</Column_11></Data><Data><Column_0 name="DataSN">3340272</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=58BFD5DE7CC7AC32</Column_4><Column_5 name="title">MODERN ART No.180 Quarterly 2016.03</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: MODERN ART&lt;br/&gt;Published Date: 2016/03&lt;br/&gt; ISSN: 977-101802200-109 &lt;br/&gt;Price: NT$150&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Topic 2015 Taipei Arts Awards: Was It a Contemporary Art Event?&lt;/p&gt;&lt;p&gt;006 - Seductive Suspension: Observations of the 2015 Taipei Arts Awards │ Ku Shih-yung&lt;/p&gt;&lt;p&gt;013 - Interview with the Chairperson of the 2015 Taipei Arts Awards Jury: Yuan Goang-ming │ Hsu Hui-chi&lt;/p&gt;&lt;p&gt;022 - Consistent Absence of Intersecting Generational Views: The Normality of Taipei Arts Awards │ Wang Yung-lin&lt;/p&gt;&lt;p&gt;027 - It Seems that We Learn Something About Art When We Experience What the Word Solitude is Meant to Designate: Wang Hsiang-ling’s Metamorphosis│Chen Hsin&lt;/p&gt;&lt;p&gt;036 - Disturbing Landscapes: Unsettled Life in Lin Tai-chou’s Images｜Lin Yi-hsiu&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;Special Program│Historical Mark: The Hybrid Art Traditions of the Philippines&lt;/p&gt;&lt;p&gt;046 - &lt;a class="icon-blank" href="http://www.tfam.museum/File/files/05research/01modern%20art/180_Social_Realism-P46.pdf" target="_blank"&gt;Social Realism: The Turns of a Term in the Philippines&lt;/a&gt; │ Patrick D. Flores&lt;/p&gt;&lt;p&gt;060 - Contemporary of Art in the Philippines: Enlightenment, Film, Collapse, History and Future │ Nobuo Takamori&lt;/p&gt;&lt;p&gt;069 - An Anecdotal Chapter: Modern Art Exchange between Taiwan and the Philippines in the 1970s and 80s │ Huang Yi-hsiung&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;Exhibition Topic │Non-Architecture, Non-Design&lt;/p&gt;&lt;p&gt;Architecture Undefined: On X-site 2016 │ Wang Chun-hsiung&lt;/p&gt;&lt;p&gt;081 - Thomas Heatherwick: the Game of Objects in Materials and Scales&lt;/p&gt;&lt;p&gt;086 - I Have an Idea: Frank Gehry’s 2015 Exhibition in Tokyo │ Lin Chi-ming&lt;/p&gt;&lt;p&gt;Collection Research │ Narratology in Figurative Photography&lt;/p&gt;&lt;p&gt;094 - On the Aesthetics of Posture in TFAM’s Photography Collection │ Chu Yin-hua&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;Featured Artist │ Tao Ya-lun&lt;/p&gt;&lt;p&gt;106 - What Interests Me is the World Outside the Cave: On Tao Ya-lun │ Chen Hsiang-wen&lt;/p&gt;&lt;p&gt;114 - The Art Museum in Print: A Box of Infinity │ Tao Ya-lun&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;117 - TFAM Online&lt;/p&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"6414913753","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/3340272/e7dcdfb4-aaf4-40e4-b675-0777fca7cb3c.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340273</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=4787ECC16AEDAA63</Column_4><Column_5 name="title">Taipei Fine Arts Museum Collection Catalogue 2014</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Collection Catalog &lt;br/&gt;Published Date: 2015/12/31&lt;br/&gt; ISBN: 978-986-03-9327-9  978-986-04-6851-9&lt;br/&gt;Price: 390 TWD&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;Contents&lt;br /&gt;004 - Preface&lt;br /&gt;007 - Introduction&lt;br /&gt;008 - Plates&lt;br /&gt;054 - Illustration and Inventory Checklist&lt;br /&gt;090 - Index&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"641411405853","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/3340273/06872822-6bfd-4d5c-9ecb-53966ad9b2b4.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340270</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=8914F89F44055EE0</Column_4><Column_5 name="title">Énorme et Riquiqui</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Exhibition Catalogs&lt;br/&gt;Published Date: 2016/03&lt;br/&gt; ISSN: 978-986-04-8307-9&lt;br/&gt;Price: NT$320&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;The book&amp;nbsp;is conducted in Chinese, please refer to Chinese section for further detail.&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"64131732453","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/3340270/d393d577-931a-4918-bfb7-92281c777ff7.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340271</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=5774E029B2804F57</Column_4><Column_5 name="title">The Testimony of Food: Ideas and Food</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Exhibition Catalogs&lt;br/&gt;Published Date: 2015/12&lt;br/&gt; ISSN: 978-986-04-7307-0&lt;br/&gt;Price: NT$450&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;Contents&lt;/p&gt;&lt;p&gt;008 - Director's Foreword&lt;br /&gt;Essays&lt;br /&gt;029 - The Testimony of Food: Ideas and Food│Jo Hsiao, Curator&lt;br /&gt;040 - The Tao in the│Wang Dan Oing, Freelance writer&lt;br /&gt;Food Theatre&lt;br /&gt;052 - Scene 1 Faith&lt;br /&gt;En Man Chang + Halfway Café&lt;br /&gt;072 - Scene 2 Desire&lt;br /&gt;Ming Hsueh Lee&lt;br /&gt;Joyce Ho&lt;br /&gt;I Ting Hou&lt;br /&gt;Te Yu Wang&lt;br /&gt;094 - Scene 3 Culture&lt;br /&gt;Huang Chen Tang + Tung Ning Hsieh&lt;br /&gt;Jun Yang&lt;br /&gt;118 - Scene 4 Memory&lt;br /&gt;Jun Yang&lt;br /&gt;124 - Scene 5 Relationship&lt;br /&gt;Wei Cheng Tu&lt;br /&gt;Goang Ming Yuan&lt;br /&gt;Chi Yu Liao&lt;br /&gt;Tung Shuo Wang&lt;br /&gt;Craig Quintero&lt;br /&gt;146 - Scene 6 Decadence&lt;br /&gt;Chi Wei Lin&lt;br /&gt;Hui Chiao Chen&lt;br /&gt;Po Chih Huang&lt;br /&gt;174 - Scene 7 Knowledge&lt;br /&gt;Huei Ming Chang&lt;br /&gt;Larry Shao&lt;br /&gt;Yu An Liao&lt;br /&gt;192 - Scene 8 Consumption&lt;br /&gt;Jun Jieh Wang&lt;br /&gt;Michael Lin&lt;br /&gt;Hsin Yu Liu&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"641317342971","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/3340271/c2aa8356-1a47-42c9-9a57-1166faabaec7.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340268</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=67C877C8B95A7E3A</Column_4><Column_5 name="title">Formosa in Formation</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Exhibition Catalogs&lt;br/&gt;Published Date: 2016/01&lt;br/&gt; ISSN: 978-986-04-7622-4&lt;br/&gt;Price: NT$1200&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;Contents&lt;/p&gt;&lt;p&gt;005 - Foreword&lt;/p&gt;&lt;p&gt;Essay&lt;br /&gt;014 - Formosa in Formation&lt;br /&gt;026 - An Art History that Originates from and Returns to Artworks&lt;br /&gt;068 - Creative Exchanges and Collecting at literati social gatherings, Painting and Calligraphy Albums in the Taipei Fine Arts Museum permanent collection&lt;br /&gt;086 - Formosa Colors in Formation&lt;/p&gt;&lt;p&gt;Plates&lt;br /&gt;096 - Enlightenment&lt;br /&gt;128 - Fringe&lt;br /&gt;172 - Poise&lt;br /&gt;190 - Vogue&lt;br /&gt;222 - Vision&lt;br /&gt;262 - Homeland&lt;/p&gt;&lt;p&gt;Appendix&lt;br /&gt;298 - Artist Profiles&lt;br /&gt;314 - Milestones in Arts&lt;br /&gt;324 - Selected artworks from Taiten, Futen and the TFAM&amp;rsquo;s Collection&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"631817171753","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/3340268/f8f93a4d-6358-4ec4-a74d-4e5fdf37a094.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340269</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=EFA5ECD252C640CE</Column_4><Column_5 name="title">2015 Taipei Arts Awards</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Exhibition Catalogs&lt;br/&gt;Published Date: 2015/12&lt;br/&gt; ISSN: 978-986-04-7575-3&lt;br/&gt;Price: NT$200&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;Contents&lt;/p&gt;&lt;p&gt;003 - Preface│Chung-Hwa NI&lt;br /&gt;004 - Preface│Ping LIN&lt;br /&gt;012 - The Mirror and Lamp: Reading Nominated Works for the 2015 Taipei Arts Awards│Ching-Yueh ROAN&lt;br /&gt;022 - States of Things│Tai-Song CHEN&lt;br /&gt;034 - Metamorphosis│Hsiang-Lin WANG&lt;br /&gt;042 - Sanchuan State Series│Sheng-Hung SHIU&lt;br /&gt;048 - Reborn Tree Series│Chih-Wei CHUANG&lt;br /&gt;054 - Pacific Princess│Hsia-Fei CHANG&lt;br /&gt;060 - My Body is an Air Quality Monitoring Station│Tay-Jou LIN&lt;br /&gt;066 - Modern Life is Dull│Musquiqui Chihying&lt;br /&gt;074 - Relative Perception N∘1[ver.2]│Yung-Ta CHANG&lt;br /&gt;080 - Studying Destoryed Photos Series│I-Hsuan WENG&lt;br /&gt;086 - Wateland│Chao-Hao LIAO&lt;br /&gt;092 - iMachine: Refurbish Your Apples│Tsung Yun LAI&lt;br /&gt;098 - Eastern Messiah│Yu-Ping GUO&lt;br /&gt;104 - To the Family, the Stranger/To People Who Missed Each Other│Yi-Chun LIN&lt;br /&gt;110 - Impermanent Marks│Yi-Hsuan PENG&lt;br /&gt;116 - Passing through the Post-Garden│Chien CHI&lt;br /&gt;122 - The Phantom Limb in Pain: Karaoke Duet│Rae-Yuping HSU&lt;br /&gt;128 - Atlas│Ting-Jung CHEN&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"63181719853","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/3340269/024493c1-0d73-4e3f-9b08-7524bde12f35.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340266</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=6EFEE9467B66D34E</Column_4><Column_5 name="title">The Way Things Go</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Exhibition Catalogs&lt;br/&gt;Published Date: 2016/01&lt;br/&gt; ISSN: 978-98604-7840-2&lt;br/&gt;Price: NT$200&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;Contents&lt;/p&gt;&lt;p&gt;004 Foreword&lt;br /&gt;006 Curatorial Statement&lt;br /&gt;015-050 Special Project hosted by I-Wei-Lai&lt;br /&gt;Unexpected Classroom&lt;br /&gt;Participating Artists&lt;br /&gt;016 Wei-Hao Tseng&lt;br /&gt;018 Antoine Terrieux &amp;amp; Camille Vacher&lt;br /&gt;020 &amp;nbsp; Yuko Mohri&lt;br /&gt;022 &amp;nbsp;Nicholas Hanna&lt;br /&gt;026 &amp;nbsp;Nils V&amp;ouml;lker&lt;br /&gt;028 Luxury Logico&lt;br /&gt;030 &amp;nbsp;Ya-Lun Tao&lt;br /&gt;032 Miri Segal&lt;br /&gt;034 &amp;nbsp;Chung-Hang Yao&lt;br /&gt;036 Zilvinas Kempinas&lt;br /&gt;038 Ruey-Shiann Shyu&lt;br /&gt;042 Zimoun&lt;br /&gt;046 &amp;nbsp;Peter Fischli &amp;amp; David Weiss&lt;br /&gt;048 &amp;nbsp;Kuo-Wei Lin&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340267</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=9945EC89FB37EBDE</Column_4><Column_5 name="title">Chuang Che, Retrospective Exhibition</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Exhibition Catalogs&lt;br/&gt;Published Date: 2015/12&lt;br/&gt; ISSN: 978-98604-7236-3&lt;br/&gt;Price: NT$1200&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;006 - Foreword&lt;br /&gt;008 - Soliloquy&lt;br /&gt;010 - A Crane Returns Home, Chuang Che&amp;rsquo;s Art Philosophy and Life&lt;br /&gt;028 - Broken Ground, Chuang Che&amp;rsquo;s Modernist Paintings of the 1960&amp;rsquo;s&lt;br /&gt;036 - My brother the Painter&lt;br /&gt;040 - On the Effusive Vitality of Chuang Che&amp;rsquo;s Art&lt;br /&gt;049 - Plates&lt;br /&gt;286 - Chronology&lt;br /&gt;295 - Art and documents&lt;br /&gt;298 - Acknowledgements&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340265</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=99581D33B9A03D9E</Column_4><Column_5 name="title">Make Sense</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Exhibition Catalogs&lt;br/&gt;Published Date: 2015/10&lt;br/&gt; ISSN: 978-98604-5789-6&lt;br/&gt;Price: NT$600&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;CONTENTS&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;05 - Foreword&lt;br /&gt;10 - Life's Alchemical Field Before the Post-Oil World to Come – Curatorial Concept Behind Make Sense│Chiaying Su / Kat Siao&lt;br /&gt;20 - How to Make Perceptible Reality – On Social Consciousness in Make Sense│Sheng-Hung Wang&lt;br /&gt;32 - Making Sense of A World that Hardly Makes Sense│Shu-Mei Huang&lt;br /&gt;46 - The Multiple Dialectics to "Make Sense"│Li-Hsin Kuo&lt;br /&gt;58 - Life and Death of Objects&lt;br /&gt;Meng-Chang Tsai&lt;br /&gt;Hsiao-Lan Fan&lt;br /&gt;Pei-I Hsiao&lt;br /&gt;78 - Vanishing Landscapes&lt;br /&gt;Hoho Lin&lt;br /&gt;Hsiao-Lan Fan&lt;br /&gt;Che-Yi Yang&lt;br /&gt;Pei-I Hsiao&lt;br /&gt;Min-Chun Lee ｜ An-Chi Cheng&lt;br /&gt;106 - Fables and Prophecies&lt;br /&gt;Pei-I Hsiao&lt;br /&gt;Sheng-Hui Tseng&lt;br /&gt;Wei-Min Huang&lt;br /&gt;Shu-Kai Lin&lt;br /&gt;128 - Retrieval&lt;br /&gt;Jui-Kuang Chao&lt;br /&gt;Yu-Hsien Su&lt;br /&gt;140 - Energy and Perceptions&lt;br /&gt;Goang-Ming Yuan&lt;br /&gt;Chao-Tang Chang&lt;br /&gt;Pei-Shih Tu&lt;br /&gt;Chong-Xiao Zheng&lt;br /&gt;Ting-Tong Chang&lt;br /&gt;168 - To Live&lt;br /&gt;Hsin-Yao Huang&lt;br /&gt;Ginger Wang ｜ Ming-Ying Lee&lt;br /&gt;Ting-Tong Chang&lt;br /&gt;188 - Artist Index&lt;br /&gt;190 - Acknowledgement&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"61261555371","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/3340265/7dea8815-c43f-4f3f-95e8-d4d54a590c36.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340264</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=C96D6455845BE8AA</Column_4><Column_5 name="title">MODERN ART No.179 Quarterly 2015.12</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: MODERN ART&lt;br/&gt;Published Date: 2015/12&lt;br/&gt; ISSN: 977-101802200-109&lt;br/&gt;Price: NT$150&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Topic │ Cross-Disciplinary Thinking in Contemporary Art—New Media Art&lt;/p&gt;&lt;p&gt;006  Double Crossover: The Historical Development and Aesthetic Signification of Taiwan Digital Performance Arts / Chiu Chih-yung&lt;/p&gt;&lt;p&gt;017  Online Interactivity in the Creative Act: Lynn Hershman Leeson’s Chatbot Works in 1998 and 2014  / Lee Chia-ling&lt;/p&gt;&lt;p&gt;023  From Origin to Sodom  / Huang Chien-hung&lt;/p&gt;&lt;p&gt;029  Crossover: A Thinking Movemen  / Chou Man-nung&lt;/p&gt;&lt;p&gt;037  Cross-disciplinary Imagination for an Apocalypse: Humanistic Ideas and New Media Art in the Exhibition “The Apocalyptic Sensibility”  /  Yunnia Yang&lt;/p&gt;&lt;p&gt;Special Program │ The History and Contemporary Scene of Singaporean Art&lt;/p&gt;&lt;p&gt;045  Nanyang, Equator, the Republic: Researching for Art Histories in Singapore / Nobuo Takamor&lt;/p&gt;&lt;p&gt;054  Singapore Art Scene: Akan Datang / Viviana Mejia&lt;/p&gt;&lt;p&gt;066  She and Her Mother’s Tongue: Touching on Amanda Heng / Adele Tan&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;Exhibition Topic │ Reality and Fiction&lt;/p&gt;&lt;p&gt;076  The Logic of Exhibition Mechanisms that Conceal: Alice’s Rabbit Hole / Kuo Liang-ting&lt;/p&gt;&lt;p&gt;081  Images for Summoning Souls: Hsu Che-yu’s “Microphone Test” and His Recent Narrative Turn / Wang Sheng-hung&lt;/p&gt;&lt;p&gt;Collection Topic │ The Preservation and Restoration of Art&lt;/p&gt;&lt;p&gt;089  Saving the Now: The Current Situation and Future Prospects of Collection Maintenance / Luo Hung-wen&lt;/p&gt;&lt;p&gt;097  The Development and Preservation of Photography in Taiwan / Chang Ho-yu &lt;/p&gt;&lt;p&gt;Artist Navigator │ Lin Chi-wei&lt;/p&gt;&lt;p&gt;104  Distance, Chaos and the Whirling World: Analyzing Aspects of Lin Chi-wei’s Creativity / Chang Shih-lun&lt;/p&gt;&lt;p&gt;112  The Art Museum in Print: Six Sound Diagrams / Lin Chi-wei&lt;/p&gt;&lt;p&gt;117 TFAM Online&lt;/p&gt;&lt;br/&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"61111339153","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/3340264/7e61ac3e-865d-4d11-a04a-9861e79df783.jpg"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340262</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=047C55C42139FA2E</Column_4><Column_5 name="title">MODERN ART No.178 Quarterly 2015.06</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: MODERN ART&lt;br/&gt;Published Date: 2014/09&lt;br/&gt; ISSN: 977-101802200-109&lt;br/&gt;Price: NT$150&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Topic │ Hypothetically Speaking:Writing Local in Contemporary Art&lt;/p&gt;&lt;ul style="list-style:none;"&gt;&lt;li&gt;006 Mutating the Gaps in Visible Geography: Chen Chieh-jen on Producing the Perceptions of the Dispossessed ∣ Lin Yi-hsiu&lt;/li&gt;&lt;li&gt;015 Illegal Structures and the Aesthetics of Citizenship ∣ Roan Ching-yueh&lt;/li&gt;&lt;li&gt;023 From Local Temples to Endless Urban Space: The Transformation of Visual Art Venues and Deficiency in Taiwan’s Peri-Urban Areas ∣ Nobuo Takamori&lt;/li&gt;&lt;li&gt;029 Psycho-Geographical Modernology: Tainan and Off-Site Contemporary Art Practices ∣ Gong Jow-Jiun&lt;/li&gt;&lt;li&gt;039 Another Look at How Contemporary Art Considers Place and Self in Narrative ∣ Nicole Lai&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;Special Program │ Indonesian Contemporary Art and Social Currents&lt;/p&gt;&lt;ul style="list-style:none;"&gt;&lt;li&gt;048 Between Utopia and Real World: Indonesia’s Avant-garde New Media Art ∣ Edwin Jurriëns&lt;/li&gt;&lt;li&gt;059 Art and the Growth of Socio-Political Dynamics of Urban Society: Case of Yogyakarta after 2010 ∣ Alia Swastika&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;Exhibition Topic │ 2015 Venice Biennial&lt;/p&gt;&lt;ul style="list-style:none;"&gt;&lt;li&gt;071 Between Cultural Diplomacy and Cultural Socializing: From Declaring a National Aesthetic to Participating in Olympic-like Art Competitions ∣ Kao Chien-hui&lt;/li&gt;&lt;li&gt;079 Venice Biennial: The Specter of Capital and an Allegory of a Dismantled World ∣ Amy Cheng&lt;/li&gt;&lt;li&gt;088 Biennial as Theater: Notes from an Audience ∣ Chou Man-nung&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;Art Project │ Lee Mingwei’s The Living Room and Its Fourteen Hosts&lt;/p&gt;&lt;ul style="list-style:none;"&gt;&lt;li&gt;095 Wang Po-wei, Lin Tzung-hsing, Wang Pei-yao, Sharleen Yu, Wang Yun-duan, Lu Jui-ting, David Wu, Ko Chia-Yu, Hsu Hui-chi, Chen Hsing-ching, Hu Hui-ru, Ho Hsiang-wei, Lin Yu-chun, Chan Tsai-yun&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;Artist Navigator │ Hu Kung -jung&lt;/p&gt;&lt;ul&gt;&lt;li&gt;114 Hu Kung Jung, Thirty years on His Own Creative Journey ∣ Sharleen Yu&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;The Art Museum Meets Printed Matter │ Michael Lin&lt;/p&gt;&lt;ul&gt;&lt;li&gt;124 To Cover ∣ Michael Lin&lt;/li&gt;&lt;li&gt;126 TFAM Online&lt;/li&gt;&lt;/ul&gt;&lt;br/&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"5102014565853","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/3340262/e01d7f00-1a0d-499f-9a88-d1dd480dd913.png"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340263</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=E0803EB01DD8E2F1</Column_4><Column_5 name="title">PERFECTION IN UNBALANCE: Hu Kun Jung</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: MODERN ART&lt;br/&gt;Published Date: 2014/09&lt;br/&gt; ISSN: 987-986-04-58228-2&lt;br/&gt;Price: NT$400&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;04 Preface Ping Lin, Director of Taipei Fine Arts Museum&lt;/li&gt;&lt;li&gt;05 Artist Statement&lt;/li&gt;&lt;li&gt;07 Commotion, Reconsideration and then a Return to Balance in a Tample for Meditation&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;Plates&lt;/p&gt;&lt;ul&gt;&lt;li&gt;14 The Discontinuous Squares&lt;/li&gt;&lt;li&gt;22 Movement Series&lt;/li&gt;&lt;li&gt;40 Twin Butterfly Series&lt;/li&gt;&lt;li&gt;47 About Artist&lt;/li&gt;&lt;/ul&gt;&lt;br/&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"5102015334453","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/3340263/4a4f2b5e-3a63-4053-bd41-2c11903f2d57.png"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data><Data><Column_0 name="DataSN">3340260</Column_0><Column_1 name="ArticleType">0</Column_1><Column_2 name="FileName"></Column_2><Column_3 name="Link"></Column_3><Column_4 name="Source">https://english.tfam.gov.taipei/News_Content.aspx?n=7523BEF720E93E4A&amp;s=23941A4EE2E1E3AB</Column_4><Column_5 name="title">Taipei Arts Awards 2014</Column_5><Column_6 name="Content">Publisher: TFAM&lt;br/&gt;Category: Exhibition Catalogs&lt;br/&gt;Published Date: 2015/03&lt;br/&gt; ISSN: 978-986-04-4565-7&lt;br/&gt;Price: NT$200&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;CONTENTS&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Preface&lt;/p&gt;&lt;p&gt;005 Preface of Commissioner of Department of Cultural Affairs, Taipei City Goverment Ni Chung-Hwa&lt;/p&gt;&lt;p&gt;008 Preface of Director of Taipei Fine Arts Museum Hai-Ming Huang&lt;/p&gt;&lt;p&gt;Juror's Review&lt;/p&gt;&lt;p&gt;016 Differences between Results of "Competition" and Planning of "Exhibition" Mechanism─Observations on 2014 Taipei Arts Awards Lin Ping(Professor of Department of Fine Art, Tunghai University)&lt;/p&gt;&lt;p&gt;Grand Prize&lt;/p&gt;&lt;p&gt;028 Kai-Yuan Chi &lt;em&gt;Exercise Trilogy&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Honorable Mention&lt;/p&gt;&lt;p&gt;036 Tsao Chun &lt;em&gt;The Suitcase of Madame Joachim&lt;/em&gt;&lt;/p&gt;&lt;p&gt;042 Jian Yi-Hung &lt;em&gt;Boy and Uncle&lt;/em&gt;&lt;/p&gt;&lt;p&gt;048 Jun-Liang Lin &lt;em&gt;Charlie Brown's Visit to Mituosayang&lt;/em&gt;&lt;/p&gt;&lt;p&gt;054 Ni Hao &lt;em&gt;Night Sculptures&lt;/em&gt;&lt;/p&gt;&lt;p&gt;060 Jao Chia-En &lt;em&gt;Arms&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Honorable Mention&lt;/p&gt;&lt;p&gt;068 Chang Po-Chieh &lt;em&gt;Map Poetry Series / Taipei&lt;/em&gt;&lt;/p&gt;&lt;p&gt;074 Chi Po-Hao &lt;em&gt;The Rhythm of the Space&lt;/em&gt;&lt;/p&gt;&lt;p&gt;080 Chuang Chih-Wei &lt;em&gt;Infection Series&lt;/em&gt;&lt;/p&gt;&lt;p&gt;080 Nei-Ren Chang &lt;em&gt;Farewell, Edward&lt;/em&gt;&lt;/p&gt;&lt;p&gt;080 Meng-Yu Wen &lt;em&gt;Time in Static&lt;/em&gt;&lt;/p&gt;&lt;p&gt;080 Che-Wei Chen &lt;em&gt;HOWL in Howl Space&lt;/em&gt;&lt;/p&gt;&lt;p&gt;080 Chen Ching-Yuan &lt;em&gt;Flare-s&lt;/em&gt;&lt;/p&gt;&lt;p&gt;080 He-Hsien Chung &lt;em&gt;Cloudless&lt;/em&gt;&lt;/p&gt;&lt;p&gt;080 Ting Chaong-Wen &lt;em&gt;Heroine: Searching for White Rose&lt;/em&gt;&lt;/p&gt;&lt;p&gt;080 I-Hsuen Chen &lt;em&gt;Nessun Dorma&lt;/em&gt;&lt;/p&gt;&lt;/div&gt;</Column_6><Column_7 name="Files">[]</Column_7><Column_8 name="Links">[]</Column_8><Column_9 name="Pictures">[{"title":"58614305553","url":"https://www-ws.gov.taipei/001/Upload/398/relpic/19965/3340260/f53fe572-74e1-46f6-b4f9-c6d6f51a275d.png"}]</Column_9><Column_10 name="Movies">[]</Column_10><Column_11 name="Publish Department">Taipei Fine Arts Museum</Column_11></Data></Datas>
